Uccelliera overo discorso della natura, e proprieta di diversi uccelli, e in particolare di que'che cantano, con il modo di prendergli, conoscergli... E con le Figure... dal Tempesta, e dal Villamena.
Eur 3,500 / USD 4,000
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Roma, Angelo de Rossi, 1684. 4to (270 x 210mm). Leaves 5, including engraved title, pp. 77, (1), leaves 6 (index), engraved title, enclosed in broad, figured border containing fowlers on either side and a shield of arms below, and 66 fine full-page engravings of birds and bird hunting scenes. 18th century tree-calf, spine with gilt ornaments and red gilt lettered label.
a book on bird catching, delightful, chiefly owing to Tempesta's spirited illustrations of the methods employed by fowlers in the beginning of the 17th century
The second and according to Schwerdt superior edition. The first edition appeared in 1622. '...a book on bird catching, delightful, chiefly owing to Tempesta's spirited illustrations of the methods employed by fowlers in the beginning of the 17th century. Olina was not, however, the originator of this work, which was an adaptation of an earlier publication entitled "il canto degl' avgelli", written by Valli da Todi, and printed at Rome in 1601... and it is curious that Olina could have issued his 'Uccelliera' within twenty years of its appearance without making any reference to the original author and yet have escaped detection' (Schwerdt II, p. 48). In addition to the different bird species, the work deals with different methods of catching birds and the art of keeping them in captivity, as well as their diseases.
"Chiefly song-birds are represented of the natural size (pp. 1-50), but in addition (pp. 51-81) there are plates of partridge and quail netting; partridge-hawking with the Goshawk; trap to catch a Sparrow-hawk; and illustrations of the mode in which bird-catchers employ the Little Owl (Civetta) and falconers the Eagle Owl (Gufo)..." (Harting, Bibliotheca Accipitraria 278).
Faint waterstaining at lower right corner of first leaves, else a fine copy with excellent impressions of the plates.
Anker 380; Zimmer II, 475; Schwerdt II, 49.